1870-1937
Hugh Henry Breckenridge Galleries Related Paintings of Hugh Henry Breckenridge :. | St Jerome | The garden of love | Portrait of Hedwig Elizabeth Charlotte of Holstein-Gottorp | The Mystic Marriage of St Francis | Field with Two Rabbits (nn04) | Related Artists:
George Edmund VarianAmerican Artist 1865-1923
Charles Ferdinand WimarGerman-born American Painter
b.1828 d.1862
was a painter of Western Native Americans and buffaloes. Born in Siegenburg, Germany, came to America at the age of 15, settled with his parents in St. Louis, Missouri. In 1846 he began studying painting with Leon Pomarede and went with his master on a trip up the Mississippi River. In 1852 he went to the D??sseldorf Academy to study with Emanuel Leutze. Wimar returned to St. Louis in 1856. He primarily occupied himself with the themes of Indian life, buffalo herds, life in the Great Plains, the theme of the wagon trains. He made three trips to the headwaters of the Mississippi.
Artist Adolphe Joseph Thomas Monticelli(October 14, 1824 - June 29, 1886) was a French painter of the generation preceding the Impressionists.
Monticelli was born in Marseille in humble circumstances. He attended the École Municipale de Dessin in Marseille from 1842 to 1846, and continued his artistic training in Paris, where he studied under Paul Delaroche at the École des Beaux-Arts. In Paris he made copies after the Old Masters in the Louvre, and admired the oil sketches of Eugene Delacroix. In 1855 he met Narcisse Diaz, a member of the Barbizon school, and the two often painted together in the Fontainebleau Forest. Monticelli frequently adopted Diaz's practice of introducing nudes or elegantly costumed figures into his landscapes.
He developed a highly individual Romantic style of painting, in which richly colored, dappled, textured and glazed surfaces produce a scintillating effect. He painted courtly subjects inspired by Antoine Watteau; he also painted still lives, portraits, and Orientalist subjects that owe much to the example of Delacroix.
After 1870, Monticelli returned to Marseille, where he would live in poverty despite a prolific output, selling his paintings for small sums. An unworldly man, he dedicated himself singlemindedly to his art.
The young Paul Cezanne had befriended Monticelli in the 1860s, and the influence of the older painter's work can be seen in Cezanne's work of that decade. Between 1878 and 1884 the two artists often painted landscapes together, once spending a month roaming the Aix countryside. Although Monticelli experimented briefly around 1870 with a treatment of light reflecting the discoveries of the Impressionists, he found the objectivity of this approach uncongenial.
Confronted with criticism of his style of painting Monticelli himself remarked, "I paint for thirty years from now". The work of this instinctive painter reached its greatest spontaneity in the decade before his death in 1886.